China Oil Painting Reproductions

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Amedeo Modigliani Weiblicher Akt oil painting reproduction


Amedeo Modigliani

Weiblicher Akt

c. 1918 Oil on canvas
Painting ID::  74827
 

 

Amedeo Modigliani Weiblicher Akt oil painting reproduction


Amedeo Modigliani

Weiblicher Akt

Medium Oil on canvas Current location Unknown cyf
Painting ID::  76288
 

 

Edouard Manet Weiblicher Akt oil painting reproduction


Edouard Manet

Weiblicher Akt

1872(1872) Medium Oil on canvas Dimensions 60 x 49 cm cjr
Painting ID::  88139
 

 

Pierre-Auguste Renoir Weiblicher Akt oil painting reproduction


Pierre-Auguste Renoir

Weiblicher Akt

1876(1876) Medium oil on canvas Dimensions 92 x 73 cm cyf
Painting ID::  97538
 

 

Pierre-Auguste Renoir Weiblicher Akt oil painting reproduction


Pierre-Auguste Renoir

Weiblicher Akt

1880(1880) Medium oil on canvas Dimensions 80 x 65 cm cyf
Painting ID::  98159
 

 

Francesco Hayez Weiblicher Akt oil painting reproduction


Francesco Hayez

Weiblicher Akt

oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)
Painting ID::  98325
 

 

Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
Weiblicher Akt
oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)

        
   
 

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